In this episode of WAS MIT KUNST, Johann König talks with the French artist Reine Paradis, whose solo show ECLIPSE is on view at KÖNIG TELEGRAPHENAMT.

In dieser Folge von WAS MIT KUNST spricht Johann König mit der chinesischen Malerin Xiyao Wang, deren Soloshow LIGHTLY FLOATS AND DRIFTS THE BOAT bei KÖNIG MEXICO CITY zu sehen ist.

In this episode of WAS MIT KUNST, Johann König sits down with Japanese artist Etsu Egami to explore the themes of miscommunication, Asian artistic heritage, and global influences in her work.

In this episode of WAS MIT KUNST, Johann König sits down with Spanish artist Paco Pomet to delve into the surreal, grotesque, and satirical worlds of his oil paintings.

In der neuen Folge von WAS MIT KUNST spricht Johann König mit dem Maler Henning Strassburger über seine Ausstellung KÖPFE in der KÖNIG GALERIE.

In this episode of WAS MIT KUNST, Johann König speaks with the artist Esra Gülmen, whose works are on view in the showroom of KÖNIG GALERIE.

In der neuen Folge WAS MIT KUNST spricht Johann König mit dem Gründer Erich Reich über seine Unternehmen Studierenden Kunstmarkt.

In this episode of WAS MIT KUNST, Johann König speaks with the painter Allison Zuckerman, whose two-person exhibition, POWERSHIFT, featuring the works of Evelyne Axell and Allison Zuckerman, is on view at KÖNIG GALERIE until December 21, 2024.

Pünktlich zur Berlin Art Week zeigt Christian Achenbach mit ECHOTROPIA seine neue, eigens für die Nave der St. Agnes geschaffene Ausstellung. Grund genug, diese Folge von WAS MIT KUNST noch einmal zu senden: Johann König besuchte Achenbach in seinem Berliner Atelier und sprach mit ihm über Natur, Abstraktion und die Grenzen zwischen beidem.

In this episode of WAS MIT KUNST, Johann König speaks with the painter Clédia Fourniau, whose exhibition MASHENUP opens at KÖNIG SEOUL on 26 OCTOBER 2024.

Clédia Fourniau’s paintings are created using acrylic paint, mica, and resin on primed canvas or textile that forms a mirror-glossy surface producing an introspective dialogue between the reflected image and reality. The act of painting is fundamentally dependent on material and process. Rooted in a practice of body in action that is built up in her studio in an extended and unpredictable temporality. She works on the serial and gestural dimension of abstract painting by questioning representation, and the conditions of creation, perception, and reception of a double image. Her approach roams between a formal, controlled, and accidental practice.

In the podcast, Clédia talks about her practice, her exhibition at KÖNIG GALERIE, and where she gets her self-confidence as an artist from.

This episode is a re-air from a previously recorded podcast with Clédia Fourniau.